Wes is a Brooklyn based actor, singer, guitarist, and songwriter who was born and raised in Norfolk, Virginia. A professional opera singer for over 15 years, he possesses a talent for dialects and impersonations as well as vocal abilities that have earned him a reputation as a genre defying singing artist.
This past summer, he joined director Cara Gabriel and conductor Robert Wood of Urban Arias to perform a staged version of Elvis Costello’s The Juliet Letters at the Signature Theatre in Arlington, Virginia. Additionally, he recently participated in a workshop of Heather Christian’s Oratorio for Living Things directed by Lee Sunday Evans with Ars Nova.
Noted stage performances include Billy Bigelow in Carousel with Union Avenue Opera directed by Ken Page, Curly in Oklahoma! with Maryland Live Arts, Bishop Myriel in Les Misérables with Utah Festival OMT, Three Decembers with Fargo-Moorhead Opera directed by Austin Regan, and recently staged workshops of Jimmy Roberts, Catherine Filloux, and John Daggett’s newest musical All Dressed Up and Nowhere To Go directed by Hannah Ryan.
Television and film credits include supporting and guest star roles in Last Moment Of Clarity, Adulthood, Six Degrees of Murder, and more. He is particularly proud of his appearances in the mini-series documentary Sex, Love and Intimacy After Spinal Chord Injury, a video archive about sexuality following spinal chord injury, created by Mount Sinai Hospital and the Craig H Neilsen Foundation, produced by his wife Heather La Kor.
Wes received his Artist Diploma from The Academy of Vocal Arts and his Bachelor’s from the University of Michigan where he was presented the Earl V. Moore Award for outstanding contribution to the School of Music, Theatre, and Dance. He also studied at the William Esper Studio for their summer acting intensive under Suzanne Esper and is an alumnus of Heidi Marshall’s on camera acting courses.